The Engineer
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Hey! I'm Paul Jalowiecki also known as Vintage Division. I am a platinum certified mixing/mastering engineer and founder of Chrome Mastering in Manchester. In 2015, I graduated with 1st Class Honours in Creative Music Technology (BA Hons) from Salford University in Manchester, which was shortly followed by the launch of Chrome Mastering studio.
My primary focus is Electronic Dance Music, House, and Techno, as I deeply believe you achieve the best results working with the music you love and clients you believe in. No size fits all is my motto. To date, I’ve mixed and mastered over 3,000 tracks at Chrome Mastering, including collaborations with Grammy-nominated artist Paul Woolford in 2024. My work has been released on both major and underground Electronic Dance Music, House, and Techno record labels like EMI, Universal, Sony, Toolroom, Diynamic, Defected, Intec Digital (Carl Cox), Nervous Records, Funk'N Deep, Madtech (Kerri Chandler), Orange Recordings (Steve Mulder), Stil Vor Talent, Witty Tunes, Midnight Riot, Simma Black (Low Steppa), Lapsus Music, Beatfreak, and Safe Music, just to mention a few. |
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My mixes have received countless support from radio stations such as BBC (over 15 premieres and plays last year), Rinse FM, Ministry Of Sound, Proton Radio, as well as reviews in Mixmag (Hamza Rahimtula, MYKROBOY). DJs such as Danny Howard (BBC Radio 1), Solomun, Carl Cox, Mark Knight, Tiesto, Low Steppa, Kerri Chandler, Mark Farina, and Skrillex have showcased my work (read more).
With 10 years of music production experience and a passion for music collecting I’ve honed my skills as a mixing and mastering engineer. As a producer under the names of Vintage Division and Phonokinetics, I've released on record labels such as Nervous Records (Grammy nominated in 2021), Witty Tunes, Nastyfunk, Nupanda, White Widow, Hustler Trax, Lemongrassmusic, and Deepology. Phonokinetics releases have been licensed to over 42 compilations worldwide, and secured 3 publishing deals through White Mantis publishing in Germany.
My other career highlights include a collaboration as audio director with Martin Hollis, the legendary designer of the Nintendo GoldenEye 007 game, and being a mixer for the world's biggest music library Epidemic Sound.
Working with record labels on a daily basis has taught me exactly what a strong music demo should sound like. That’s why I created the Dance Music Industry Demo Signing Guide – to help you get your music signed and navigate the dance music label world with confidence.
If you have any questions or just want to say hello, please don't hesitate to contact me at [email protected].
With 10 years of music production experience and a passion for music collecting I’ve honed my skills as a mixing and mastering engineer. As a producer under the names of Vintage Division and Phonokinetics, I've released on record labels such as Nervous Records (Grammy nominated in 2021), Witty Tunes, Nastyfunk, Nupanda, White Widow, Hustler Trax, Lemongrassmusic, and Deepology. Phonokinetics releases have been licensed to over 42 compilations worldwide, and secured 3 publishing deals through White Mantis publishing in Germany.
My other career highlights include a collaboration as audio director with Martin Hollis, the legendary designer of the Nintendo GoldenEye 007 game, and being a mixer for the world's biggest music library Epidemic Sound.
Working with record labels on a daily basis has taught me exactly what a strong music demo should sound like. That’s why I created the Dance Music Industry Demo Signing Guide – to help you get your music signed and navigate the dance music label world with confidence.
If you have any questions or just want to say hello, please don't hesitate to contact me at [email protected].
The Studio
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- ATC SCM25 Pro monitoring
- 2x ATC SCS70 PRO Subwoofers - Manley Variable MU MS compressor - SSL X-Logic G-Series mastering bus compressor - Neve 8803 analogue EQ - Chandler Limited TG1 EMI Limiter - Universal Audio Apollo QUAD interface - Trinnov ST2 Pro room correction - Studer Revox A77 reel to reel tape recorder (1973) - Drawmer 1960 tube compressor - Universal Audio 6176 - Lexicon MX200 hardware reverb - Audeze LCD-X reference headphones - TC Electronic Clarity M phase monitoring - Mac Studio M4 Max and MacBook Pro computers - Ableton Live Suite 12, Logic X, Pro Tools, Reason - Vicoustic acoustic panels, GIK acoustics basstraps |
